An Experiment in Deep Reading, by Shanoya Murphy

Corrigan’s Editorial Note: In my English Composition I course, I have started asking students to experiment with how they read, first reading a book (James Baldwin’s The Fire Next Time) as they usually would, then rereading that same book while trying out my advice for how to read deeply, then writing a comparison and contrast essay […]

Choreographing Borges, by Kylei Strahan

Corrigan’s Editorial Note: My World Literature course asks students to find creative, meditative ways of working with texts from around the globe. In fall 2017, Kylei Strahan took Jorge Luis Borges’s “The Garden of Forking Path”—a fascinating, bizarre, deeply multicultural text, written by an Argentine writer, set in the UK, revolving around a location in France, […]

What I Learned from My “Liberal” Arts Education, by Emilee Rosell

Corrigan’s Editorial Note: Emilee Rosell took her very first (English Composition II) and very last (World Literature) college classes with me as her professor. She’s now graduated with a BA in English. In this reflection essay, she looks back on what she learned in that last class, and throughout college. I cannot say how inspired and encouraged I […]