Choreographing Borges, by Kylei Strahan

Corrigan’s Editorial Note: My World Literature course asks students to find creative, meditative ways of working with texts from around the globe. In fall 2017, Kylei Strahan took Jorge Luis Borges’s “The Garden of Forking Path”—a fascinating, bizarre, deeply multicultural text, written by an Argentine writer, set in the UK, revolving around a location in France, […]

World Literature in Watercolor, by Jamie Weston

Corrigan’s Editorial Notes: In my World Literature course, I invite students to practice reflective, meditative, contemplative ways of reading. The idea is to slow down, pay attention, and listen. A wide range of creative responses lend themselves to this work, including painting (which I’ve written about). The time spent painting in response to a text […]

What I Learned from My “Liberal” Arts Education, by Emilee Rosell

Corrigan’s Editorial Note: Emilee Rosell took her very first (English Composition II) and very last (World Literature) college classes with me as her professor. She’s now graduated with a BA in English. In this reflection essay, she looks back on what she learned in that last class, and throughout college. I cannot say how inspired and encouraged I […]

Visual Interpretations of Okada and Steinbeck, by Raeanne Watkins

Corrigan’s Editorial Note: In U.S. Literature in Spring 2015, Raeanne Watkins created the following images in response to John Okada’s No-No Boy and John Steinbeck’s The Pearl. Okada describes experiences of Japanese Americans after the WWII internment, while Steinbeck offers a parable, set in Mexico, about poverty and wealth. I find Ms. Watkins’ images striking on their […]

Sculpture of Enée et Anchise by Pierre Lepautre (1697), Photo by Miniwark (2006)

Literature of Exile

Many people do not realize that Jesus was quoting directly from the Book of Leviticus when he said to love one’s neighbors as oneself. This context lends an important layer of meaning to his words. Often his saying is reduced to an encouragement to “be nice” to others. While not a bad admonish as far as it goes, that interpretation […]

Watercolor of Ephemera Vulgate, Katherine Plymley, 1805.

William Bartram Contemplates Ephemera

William Bartram—the naturalist who effectively missed the American Revolution because from 1774-1777 he left his home in Pennsylvania and traveled through the Carolinas, Georgia, and Florida—had a vast knowledge of ecology, including plants, animals, soil, landforms, and weather, which he demonstrates in his book on that expedition, commonly known simply as his Travels. If the glossary in the Library of […]